16.11.10

jason freiburger










{JASON FREIBURGER ANSWERS OUR QUESTIONS}



What medium(s) do you work in? and why is this your preferred medium?
I primarily work in wood, but non-traditional art materials always seem to work there way into the mix. 

Who or what inspires you?
Who ( just to name a few, in no order)
-Richard Deacon
-Henry Moore
-H.R. Giger
-Andy Goldworthy
-North West coast native art ( Haida )
-All the amazingly talented people I have got to work with over the years ( you know who you are)
What
- Most recently, my works have begun exploring the connections between the built form (architecture, settlement patterns, etc) and nature. 
-Architectural design
-Materials ( from new sustainable products, industrial building materials, to old found objects)
-Nature ( plant life/ insects/ aquatic life/ bones)
-Technology
-every days objects
-industrial machinery
-music is a strong influence on me also

Any wisdom you’d like to share about living as an artist?
Well lets face it, making a living in the creative arts is no easy task. There are very few of us that can do “our work” full-time, so what has worked for me is to have a day job that inspires or educates my own work. For example if you are a painter, work at a paint store or an Art supply store or as an assistant in a paint shop that paints boats or cars...you get the idea. Learn as much as possible about any aspect of that job that relates to you ... hell it’s better that flipping burgers, not something I wanted to do with my last name.

Also, Watching “reality TV” is wasting your own reality.
get off your ass and do it.

Is there anything in your art that you are afraid people might discover?
Is that where I left my watch!

Can you describe what your best learning experience as an artist has been and how you grew from it?
I have heard from other artists that it’s hard for them to let go of they’re work, that’s never been a problem for me. As I’m finishing one I’m more interested in what to try next.
It’s also that my day job as a prop builder, I build things that I never get to use or somethings ever see on-set. When it’s done it’s gone.

As an artist how do you deal with criticism what do you think can be gained from being open to critique?
Open critiquing is great way to learn and to grow as an artist, there will be good and bad reviews so you do have to be thick skinned or at least hard of hearing. Remember it’s just they’re option, some other critic may think it’s great or it’s terrible, beauty is in the eye of the beholder. This is most of the time easier said than done, do your work for you first and for-most when it works the buyers will fallow.

Artists have to be creators, technicians and entrepreneurs .... What wisdom have you learned about the “business” of art that would help young developing artists to have more success in this area.
For the young developing artists out there PAY ATTENTION TO ALL YOUR CLASSES. I got into art for many reasons but mostly because I wasn’t that good at much else and didn’t what too. I resonantly took a public speaking class to try concur my fear of it, which was something I thought I would never have to do as an artist. There is a lot of chemistry in the arts, just ask a potter. Business that’s another big one, if you think your going to go to your studio and do what you do and produce amazing works and not have to go out and sell it, well if a tree falls in the forest....
Language/ Creative writing, it’s never ending, well look at what I’m doing now... then there are grants/ show proposals/ Bio/ CV...

Do you think it’s possible to develop artistic talent or do you feel that it is innate? Why do you think this way?
I think we are all “creative”, it’s more of being willing to let yourself explore that side of things. And I think people are more “creative” than they give themselves credit for.
For some it’s music/ painting/ creative writing/ landscaping/ interior design/ science....

wikipedia> Creativity is the ability to generate innovative ideas and manifest them from thought into reality. The process involves original thinking and then producing.

What work have you done that you are the most proud of and why?
Whatever I just finished. It’s the journey that’s most important.




Jason Freiburger is a Canadian artist and sculptor who lives and works in Hamilton, Ontario. 
Working primarily as a wood turner, Jason combines the art of wood turning with the intrigue of non-traditional art materials.  Jason's work has been featured at Arts on King, Toronto; the Carnegie Gallery, Dundas; Circle Arts, Tobermory and AllSorts Gallery, Hamilton . His work is celebrated in numerous private collections throughout Canada and the United States, including the Hamilton International Airport. 



Jason is currently an artist who is partaking in the incubator program at the cossart exchange.  To learn more about this great program click .here.

To access Jason's website click HERE.






18.10.10

bryce huffman










{BRYCE HUFFMAN ANSWERS OUR QUESTIONS}

What medium(s) do you work in? and why is this your preferred medium?
My preferred medium is acrylic.  My work is made up almost entirely from textures and linework, and acrylic is the only medium I am able to get the aesthetics I am going for.  I can blend, dry brush, spray paint, layer and sand a piece all in one working session.  I don't have the patience to let a piece grow for weeks or months.  Silkscreening has also become a big part of my work.  I can control the line-weight with a pen/marker with more control and speed than I ever could with a brush, so once I have the drawing done and the screen set up all I have to worry about is the the colour and texture that I paint into it. 

Who or What Inspires you?
It was a very pessimistic view but I think you have to look at what we are doing to the world around us and just cringe sometimes.  Probably my biggest inspiration is to take these aspects of mans destructive control over the world and drag them into the spotlight.  A lot of my pieces are battles between man and nature, each trying to consume the other.  Aesthetically, I am heavily inspired by the west coast skater/ pop art/ lowbrow work.  It's interesting to hear where people think my work is derived from, whether it's retro silkscreen posters, tattoo work, graffiti, etc.  I think it is a blend of all of them.  I pay a lot of attention to line weight and composition in my pieces, so about 90% of the piece is very tight and controlled, which is why I use a lot of texture and pattern to loosen and break it up a little.  

As an artist how do you deal with criticism what do you think can be gained from being open to critique?Criticism is the catalyst for creative growth.  It is the most honest advice you can get about your work.  A friend/ fellow artist Chris Brett explained to me that you don't learn from someone saying they love your work.  You need that support every once in a while to keep you going, but the occasional harsh comment keeps you from becoming stale or narrow minded.  At the same time criticism should not necessarily be followed verbatim, only you know what direction you want your work to move in.  You need to grow a think skin as an artist.  I don't think shying away from open criticism is a good thing, just be ready to defend your view if you have to.   

Why Art?  And why in Hamilton?
I don't think I ever considered a different route than art.  It is what my life revolves around.  I am not sure what field of work I will end up in, but if it isn't art or doesn't give me the freedom to create than it's not even an option.  Hamilton is where I was born and have lived for almost my entire life.  For now, Hamilton just makes sense.  I can afford to rent a studio here, and actually have time to work in it!  I have been showing here for the last 5 years, during which time I have learned how to deal with clients, curators, shop owners and collectors all 20 minutes from my where I was born.   

Any wisdom you'd like to share about living as an artist?
I'm only a few years into doing art outside of school, so I still have a lot to learn, but I have also learned a lot about 'living as an artist' in this time.  I'm fortunate enough to live in a city that is very encouraging of new art.  I was able to get a number of shows in Hamilton (maybe too many), and they range from 100% curated shows where all I am responsible for is getting the art finished and framed to setting up the show from the ground up.  Both have their benefits and drawbacks, but I think experiencing both is essential.  If you want to be an artist that shows in galleries, then organize, or at least be part of the organization of getting the show together.  Having to go through the pains of all the small things that occur in the show process will help you appreciate the work that gallery owners have to go through on a day to day basis, and will make it easier to deal with owners/ curators in the future.  The other thing is, get you name out!  I hear this from every artist I talk to, but it is true; no one is going to randomly walk into your studio one day and offer you a show.  You have to let people know who you are.  Find every avenue that your work can be shown and pursue it.  Find online art communities to receive criticism from, and update consistently.  At the moment I am in the process of getting my site organized so that everything is in one place; portfolio, gallery, blog and contact info.  The less clicks a person has to do to see your work/ products, the more likely they are to actually check it out.  
With illustration work there is a whole world of issues you have to deal with, and I think I have run into almost every one of them.  The main things I have come to realize are; 1/ Make your pricing and working conditions clear to the client before you begin so there are no confused/angry emails down the road. 2/ If you aren't happy with the work, why would a client?  Put in enough of an effort that you would be happy promoting the work in your own portfolio.  3/ Don't be afraid to turn down work.  If you don't think you can accomplish what the client is asking for, don't give the impression that you can.  It will only end in both parties being frustrated.  4/ Be organized!  This is my biggest problem, but actually having timelines and deadlines are essential to getting work done and being able to take on new work!

Born and raised in Hamilton, ON., Bryce has developed an artistic approach that balances between graphic, painterly and figurative. Texture and type are common in his work, as are a wide range of characters - both real and imagined. Having graduated from the Sheridan College Illustration Program, Bryce is now working on a number of gallery showings as well as freelance illustration. (photo by: jeff tessier)









17.10.10

Art in Public Places - James Street North

Peter Osborne & Sean Solowski
Timeline Siteline

HELP HAMILTON TO BECOME A VIBRANT ART COMMUNITY. IN THE NEXT FEW DAYS HAMA WILL BE RE-POSTING THE SIX ARTIST'S PROPOSALS FOR ART THAT WILL APPEAR ON JAMES ST. N.  PLEASE GET INVOLVED AND HELP SELECT ART FOR YOUR CITY.  CLICK TO ENLARGE PICTURES






ARTIST’S STATEMENT 

PUBLIC CONSULTATION

Provide your opinion on the six proposed public art pieces for James Street North. 

Review the artists' proposals and make your selections
 Indicate which of the six artist's proposals best reflects the character and qualities of James Street North and the surrounding community as well as the competition theme.  Please provide your selection and comments on or before Friday October 29, 2010.

Competition theme:  The stories of the unique and diverse individuals that have made an impact on James Street North throughout its history.




15.10.10

Art in Public Places - James Street North

Dave Kuruc

I DREAM OF TRAINS

HELP HAMILTON TO BECOME A VIBRANT ART COMMUNITY. IN THE NEXT FEW DAYS HAMA WILL BE RE-POSTING THE SIX ARTIST'S PROPOSALS FOR ART THAT WILL APPEAR ON JAMES ST. N.  PLEASE GET INVOLVED AND HELP SELECT ART FOR YOUR CITY.  CLICK TO ENLARGE PICTURES


.PUBLIC CONSULTATION

Provide your opinion on the six proposed public art pieces for James Street North. 

Review the artists' proposals and make your selections
 Indicate which of the six artist's proposals best reflects the character and qualities of James Street North and the surrounding community as well as the competition theme.  Please provide your selection and comments on or before Friday October 29, 2010.



Competition theme:  The stories of the unique and diverse individuals that have made an impact on James Street North throughout its history.

14.10.10

Art in Public Places - James Street North

Vesna Jocic & Nicko Elliot

ROLL OUT THE RAIL CARPET

HELP HAMILTON TO BECOME A VIBRANT ART COMMUNITY. IN THE NEXT FEW DAYS HAMA WILL BE RE-POSTING THE SIX ARTIST'S PROPOSALS FOR ART THAT WILL APPEAR ON JAMES ST. N.  PLEASE GET INVOLVED AND HELP SELECT ART FOR YOUR CITY.  CLICK TO ENLARGE PICTURES.





ARTIST’S STATEMENT 

PUBLIC CONSULTATION

Provide your opinion on the six proposed public art pieces for James Street North. 

Review the artists' proposals and make your selections
 Indicate which of the six artist's proposals best reflects the character and qualities of James Street North and the surrounding community as well as the competition theme.  Please provide your selection and comments on or before Friday October 29, 2010.

Competition theme:  The stories of the unique and diverse individuals that have made an impact on James Street North throughout its history.

13.10.10

Art in Public Places - James Street North

Jason Freiburger

LEAF BENCH

HELP HAMILTON TO BECOME A VIBRANT ART COMMUNITY. IN THE NEXT FEW DAYS HAMA WILL BE RE-POSTING THE SIX ARTIST'S PROPOSALS FOR ART THAT WILL APPEAR ON JAMES ST. N.  PLEASE GET INVOLVED AND HELP SELECT ART FOR YOUR CITY.  CLICK TO ENLARGE PICTURES.







ARTIST’S STATEMENT 


PUBLIC CONSULTATION

Provide your opinion on the six proposed public art pieces for James Street North. 

Review the artists' proposals and make your selections
 Indicate which of the six artist's proposals best reflects the character and qualities of James Street North and the surrounding community as well as the competition theme.  Please provide your selection and comments on or before Friday October 29, 2010.

Competition theme:  The stories of the unique and diverse individuals that have made an impact on James Street North throughout its history.

12.10.10

Art in Public Places - James Street North

Yvonne Felix 

MURRAY STREET

HELP HAMILTON TO BECOME A VIBRANT ART COMMUNITY. IN THE NEXT FEW DAYS HAMA WILL BE RE-POSTING THE SIX ARTIST'S PROPOSALS FOR ART THAT WILL APPEAR ON JAMES ST. N.  PLEASE GET INVOLVED AND HELP SELECT ART FOR YOUR CITY.  click to enlarge pictures.







ARTIST’S STATEMENT 


PUBLIC CONSULTATION

Provide your opinion on the six proposed public art pieces for James Street North. 

Review the artists' proposals and make your selections
 Indicate which of the six artist's proposals best reflects the character and qualities of James Street North and the surrounding community as well as the competition theme.  Please provide your selection and comments on or before Friday October 29, 2010.

Competition theme:  The stories of the unique and diverse individuals that have made an impact on James Street North throughout its history.